Friday, May 11, 2012

Ark


(Pine Trees painting taken from here)


I’ve been finding it difficult
lately to have much faith
in the things I once
took to define me. 
Like writing, for instance,
that need to impress
on the world
what I make of it.  
Why bother,
the mind asks, 
(not unreasonably, I think)
when it’s been said often enough 
and better-- 

Why contribute to the 
overcrowded amphitheater? 
I don’t know.
Maybe this lack of ambition is
merely depression’s indifferent 
cousin or a bug I can’t shake or 
maybe it has something to do 
with the wintery landscapes
I keep plumbing in my sleep,
brushing the snow from
my head and my shoulders
before I am fully awake. 
(This is not true.)
No, the mind is not
complacent; it apprehends 
and grasps; it has learned things 
along the way, in spite 
of itself.  
Logic holds that we must be the
craftsmen to our artists’ dreams
or the hunger will die
and days’ll pile up like 
existential episodes on the DVR. 
So everyone is invested in some-
thing, even if it’s just the notion  
of a personal narrative.
Everyone picks a religion. 
And so I reach for you.
Paul, 
when we are locked to-
gether, inside our gentle
storm, like a boat unto
water or--wait, no
like just 
you and me
--bodies free of
any editorial eye
You looking 
into me 
Me looking 
into you
That is honest.
That is end, beginning and epiphany
And so I say: 
I may never write again. 
And so you reply,
Sarah. There is snow in your hair. 

Sunday, April 15, 2012

The Feasts of Lesser Men


For a limited time, Independent Publisher gold medal winner Stephen Parrish is giving away his novel for free on the Kindle. I had the great pleasure of being an early reader of The Feasts of Lesser Men. Here is my Amazon review: 


Stationed in Germany during the final days of the Cold War and the fall of the Iron Curtain, Jimmy Fisher is a Private First Class with the US Army charged with safekeeping his country's top-secret operational plans.

He's also a first-rate scoundrel with a fondness for buried corpses (and their gold fillings), pissing off officers (and sleeping with their daughters), and his favorite neighborhood whore, Melina.

What Fisher lacks in ethics and honor, however, he makes up for in daring and in a sincere, if reluctant, loyalty to his bumbling partner-in-crime, Chuck Cybulski. Soon these qualities are turned against him: Fisher is forced to turn spy. As the web of intrigue infiltrates the dark German forest surrounding him and extends its threads into a beatific French countryside, the question of whom Jimmy is betraying becomes ever murkier and more entangled. Can any one country--or any person--really be trusted?

Stephen Parrish is a deft writer and a keen observer of human nature, with a brilliant mastery of detail and verisimilitude. In this book he utilizes all the tools in his arsenal, every color in his palette. It's difficult to make the reader root for a character as nakedly opportunistic as Fisher, but he pulls it off with bold strokes, dark humor, and a bracing authenticity. As a reader, he took me out of my comfort zone and plunged me into a world of shadows and misanthropes, arrested by moments of understated, if exquisite, tenderness and beauty. Jimmy Fisher is not a man built for love; he's not a man who cares a fig about redemption unless it comes on the other end of a wink and a payoff. Parrish gives him a taste of both. Not until the final, shocking scene will the reader decide how much, or how little, Jimmy Fisher has changed, as the snow begins to drop and the curtain falls.


You don't need a Kindle to read the book. Just download a free reading app tailored to your specific needs. Or email Steve within this free five-day period and be sent a pdf file. 

Trust me. The book is worth it.   


Tuesday, April 10, 2012

Sea Legs



She thought she was sick. 
She was sick. 
Or maybe not.
Maybe, maybe not. 
Lord, what a bore she’d become. 

The symptoms were holes around a moving target. Did thinking about fatigue make one tired? Was the bloating as bad as she thought or a natural phenomenon magnified by the distorted lens of her perception? That bit of queasiness: it didn’t qualify as nausea. No. A few pounds lost--thanks, stress! The irregular periods, the disturbing dreams and emotional instability? Fuck you, stress.  
They’d found something in her blood work. Finally--a something. The doctor gave her some medicine, a cure. 
“That should put your mind at ease.”
She’d laughed apologetically. “I’m such a head case.”  
Why apologetically?  
Leaving the doctor’s office, Woody Allen’s character in Hannah and Her Sisters dogged her thoughts. Woody, the quintessentially neurotic hypochondriac. God, what a joke. 

Her steps slowed near the car. Of course, they’d found something in Woody, too, hadn’t they? It had turned out to be a nothing much, but it was enough of a something to vindicate the second look. 
So why did she feel so goddamn ashamed? So queasy with self-loathing?  
Why, coming home again, was she still dissatisfied? 
She set the prescription bottle on the counter, grabbed her laptop and started another Google search. A spider dangled from the painting of crocuses she’d started two months ago, swaying a little in the breeze. When it touched the floor, the dog licked it up and spat it back out. It scurried off. 
She wondered if she wasn’t crazy and looked out the window. 
Lord, it was spring. 

Sunday, April 8, 2012

Facing the Sun


It's Easter Sunday, and though I'm not a Christian, I've always appreciated the season and the promise of renewal and uplift it brings.

Our fellow writer and friend, Richard Levangie, had neurosurgery this weekend to remove a pituitary tumor that's wreaked havoc on his body for more than a decade. His wife Kristina has been kind enough to let us know that he's recovering well. Yet in spite of a distinguished history as a journalist and award-winning writer, Richard's debilitating migraines and fatigue have left him unable to pursue his career with as much fortitude as in his pre-tumor years. His friends have stepped up to help him and Kristina with expenses as he continues to recuperate and regain his strength.

29 talented writers--including project spear-headers JA Zobair, Wendy Russ, and Stephen Parrish--have contributed to an anthology of poetry, short fiction, and reminiscences titled Facing The Sun. You may donate any amount of money to receive this anthology in pdf format via email. I've taken my time in looking through this lovely collection and have been deeply impressed by the talent of the contributors and the beauty of the photos and formatting. For your donation, you will also have your name inscribed on the "wall" of the site's sidebar. I've recognized so many familiar names up there already. It's just one more reminder of the incredibly generous and impassioned community of which we're all a part.  

Richard's done a lot for that community. He was one of the first people to interview me when my book was published, as part of his "25 Questions" series. He and Kristina designed my beautiful book "postcards." He's the kind of guy that takes as much delight in the success of his friends as he does in his own accomplishments. I'm happy to see so many people giving back to him now.

Please consider a donation. It's a beautiful day for new beginnings.  


Wednesday, February 29, 2012

The Lascaux Review

(If this cow horse isn't pregnant with a new literary review of hugely 
awesome potential, then I don't know my 17,000 BCE cave art.)


It's my honor and pleasure to announce the launch of a new literary journal, The Lascaux Review, a "showcase for emerging and established writers and artists." Stephen Parrish and Wendy Russ are at the helm of this new venture, and because of my deep-rooted faith in both of them, my expectations for Lascaux's future success could not be higher. They are just that good. 


My story, "Closer," was selected to be the first piece published in the review, which is something of a Leap Day miracle, possibly? Probably. At any rate, for those wondering: if you do have a piece accepted by The Lascaux Review, let me assure you that the editorial process is extremely professional and painless. Parrish has a sharp editorial eye, and he made my story stronger, for which I'm very grateful. 


And, oh yeah: they PAY! I was paid generously for my story from donations to the review, which is the first time that's happened since....well...


Ever. 


Seriously, I hope that many of you will consider a small donation. It's too seldom that writers and artists are compensated for their work, and I admire Lascaux for embracing such ambitions right out of the gate. I know they mean to make it grow. 


I also encourage you to submit. They are currently looking for fiction, poetry, art, essays and reviews. Submission information can be found here


I'm proud to be a part of this launch today. And I can't wait to see what the future has in store for them. 

Sunday, February 12, 2012

Apples and Eggs



She fidgeted like a crazy person now. That’s how her mom put it. 
“What are you--mental? Cut it out.”
She didn’t cut it out, but she did keep to her room. Fidgeting worked off an extra fifty calories a day, which was good since walking more than ten steps in a row now made her lightheaded and prone to blackouts. At school, she’d been in danger of fainting any number of times, so she’d stopped going. She hung out at the public library, dozing intermittently and flipping through a dog-eared collection of magazines, chewing her sugarfree gum surreptitiously (gum was double-her-pleasure: it distracted her from the hunger and earned her fidgeting points), wondering whether anyone might come for her, if even the principal himself might not show up in a hail of paperwork to drag her sorry ass back to class. But they hadn’t and he didn’t and nobody in a library looked at a girl who only flipped through fashion magazines. 
As far as school went, her mom had paused long enough between a handful of corn chips and a swig of Diet Coke to squint at Marcie--trying hard not to fidget inside that huge tent of a sweatshirt, saying “maybe I won’t go to school anymore,” like a curveball hovering between statement and question--before continuing on with the intake of cola and muttering something about the apple not falling far from the tree. Then she’d asked Marcie to turn it to "The Bachelor." The remote was M.I.A. 
What Marcie didn’t ask, but might have, was: “Sure you didn’t eat that, too?” 
Clementine Flack was fat. Rotund. Ginormous. You could fit three Marcies into her mother's skin, with room leftover for a couple of house cats. When Marcie was asked to use “elephantine” in a sentence for eighth grade English, she’d dashed off this couplet: Oh my darling Clementine / thou art lost and elephantine. The teacher had put a smiley face next to it because she didn’t know that Clementine was a real and factual person, congratulating Marcie instead on her use of “whimsy.” 
It was okay, though. It was all all right. Marcie wasn’t repulsed by her mother like she once had been. She wasn’t embarrassed to be seen with her, since she’d dropped school and nobody so much as texted her anymore and her mom started using the electric cart at Walmart, becoming painstakingly invisible to everyone, even Walmart drones. She understood now that she and her mom were two sides of the same coin, an equation solving for y, where x was the constant, or whatever Mr. Murphy was on about. Algebra had never been her thing. 
Food was. Hunger was the dazzling, blinding sun mother and daughter were yoked to and spun doggedly about. Marcie was down to 300 calories a day now (breakfast: hard-boiled egg without the yolk, ice; lunch: five baby carrots, 1/2 cup kidney beans, ice; dinner: lettuce, one tablespoon of salsa, 1/2 cup plain, nonfat yogurt, ice) and she wondered sometimes whether her mother might not subconsciously be picking up the calories her daughter had so carelessly chucked. In their imbalance there was equilibrium. 
“You’re getting skinny, girl.”
“This shirt’s always been big on me.”
“Grab me another 2-liter, will you?”
That was at the beginning, a few weeks after Hunter told her she looked a little like Erin Heatherton, only “more healthy and normal.” Marcie knew he’d considered it a compliment--knew he was saying it because he’d seen the photo of Erin in Marcie’s locker and wanted to get on her good side, or maybe on several of those good sides--but Marcie also knew that there was nothing complimentary about the word “normal.” Nobody got anywhere being “normal” these days.
She’d thrown out her tuna fish at lunch that day and just had the carrots. The rumbles in her belly that afternoon made her feel virtuous, almost high.  
At five feet eight inches, she’d started tenth grade at 139 pounds. This put her smack dab in the middle of the “normal” BMI curve.  When she weighed herself tonight, six months later--naked and with another clump of hair falling out, in spite of the halfhearted attempt to up her protein intake--the digital readout sputtered and flagged and died on 99.5.  
She’d done it, then. 
It wasn’t something she’d aimed for outright, but now that she’d hit the double-digit elite club, Marcie knew it was what had been driving her for the last month--that it was the nudge she needed to sacrifice that last half apple in the afternoon for three more sticks of gum--that it was the thing she’d lost just as soon as she’d gotten her hands about its throat. 
There wouldn’t be another goal like that. There couldn’t be. What did "90" mean? Was an “85” ever momentous to anyone’s life? Uh-huh. There was a line she’d crossed that couldn’t be uncrossed (she wouldn’t let it), but there wouldn’t be another line like it, unless you counted the last one--the line to end all lines--the line the pro-ana sites online warned you about, if in a flirty, self-mocking way. 
Like death was just a boy who might take your virginity away. 
Sure some girls don’t make it. But think of all the calories they save!! LOL. 
It wasn’t that she wanted to die, Marcie thought, lying in bed as the ceiling grew spots and her heartbeat flapped like a panicked bird in her ears.  She just couldn’t stop herself.  Her body felt so improved to her now, so stinking right.  Collarbones were such a beautiful thing; why hadn’t she noticed them before? Her scapulas were growing into wings. She could count her ribs with no effort, and often did so to pass the time, wondering whimsically which was the one Eve had been sprung from. When looked at this way--when you really understood the way the body sat together, like Marcie had grown to understand--breasts were not sensual signs of fertility, but deforming bags of prehistoric flesh. 
But the favorite part of her new body were her hipbones. She laid on her back and stroked the rim of the bowl they formed--as tenderly as if the concavity were reversed, pregnant with her own self-control and discipline--her skin stretched so taut she wondered, not for the hundredth but the thousandth time that week, whether skin might not have a literal breaking point and if so, whether she was anywhere near to breaking it. 
Not yet, she concluded.   
Her mind fell back and back. She drifted. 
After minutes, or hours, she heard the refrigerator door slam shut. Her eyes rolled to the clock: 11:32. Only seven and a half hours until the hard-boiled egg. It was so cold in here. But the comforter was way down there. 

Impasse. 
She’d been dreaming of her father. They were on the beach and she was five or six years old. He had a hairy chest and back acne and she’d worn a polka-dot bikini and pigtails. They ran along the water’s edge, chasing one another. She’d stopped to pick up a mussel shell sticking out of the sand--drawing her finger across its smooth, mother-of-pearl interior--when a wave came over her, hard and sudden, tossing her back into wakefulness. 
She hadn’t dreamed of her dad in ages. For a moment, she felt spooked by it. But then she thought of the egg, waiting for her at the end of the long tunnel, and closed her eyes again. 
Egg was such a fat, funny word when you thought about it. Egg. Egg. 
Her mom had Leno on. The intro music was loud, but underneath it, Marcie could hear the phht of carbonation bubbling free and smiled. 
What was it her mom had said? 

The egg didn’t fall far from the tree. 

Lol. 


Story inspired by a Huffington Post article I read the other day. Painting by Picasso: "Girl Before A Mirror."

Monday, February 6, 2012

Luna

(Photo credit here.)

We lived underground
in a circular room 
where you fed me words
o'er song and sand     
and with every vowel
I tore and tongued 
my belly grew more concave
until I was grown heavy,
but pregnant with silence. 

And before I could say when
the dread contractions set in  
as I found myself like   
the primitive daughter
squatting over a caveman’s 
flint, bones and fire
where I will give birth
to an opal moon

again and 
again.


*Thanks to our son for pointing out the nearly full moon to me last night. Sometimes I forget to look. 

Sunday, January 1, 2012

New

The mashed potatoes were starting to stiffen in the bowl. 
“Stop your whining and eat your meat,” Angela said to the four-year-old, before turning toward the others. “Sorry, Nathan, you were saying?” 
“Just that when we were young, our lives were always ahead of us. Perpetually ahead, rigorously being plotted out. Now that we’re older, we look to the past and feel nostalgic. But I think what we’re really pining for is a sense of possibility. Of not yet knowing where we’ll go, who we might become. So we pine, even while feeling a little betrayed by the simpletons we once were.”
He took a pea from his spoon and held it between two fingers. “Do you know that chimps experience the greatest surge in serotonin during the anticipation of a reward, and not during the reward itself? Humans romanticize their childhoods in the same fashion. We project bliss onto our deepest ignorance.” He popped the pea in his mouth and shrugged. “I mean, what if the reward’s not so great after all.” 
“I beg your pardon,” their mother said.
“Your cooking excepted, Mom,” he said and they all laughed. 
The girl dropped her fork to the floor. Angela got her a clean one and sat back down. They felt the strength of winter in the blackness outside, and unconsciously moved their chairs closer to the table.  
“So where’s the sweet spot? The magical place where we’re anticipating and realizing all at once?” Angela said. “Is it in our twenties? Our thirties? When we’re falling in love?” 
He opened his mouth but their mother cut in. “Sorry, dears, but--” her voice rose--”did you take your pills yet, Pop?” 
They looked dutifully toward the end of the table, where the old man sat. He straightened up, patted the front pocket of his flannel shirt, and painstakingly removed five small pills, lining each of them on the table's edge before washing them down, one by one, with an equal measure of water and effort. They let out a collective breath when he slumped back in the chair, exhausted. 
“Everything okay, Grandpa?” Angela said, noting the barely touched food on his plate.
“Fine, fine.”
“But Mommy, I don’t want to eat it.”
Angela plucked the knife and fork from her daughter’s hands. “Here. Let me cut it.”
“No! I want to cut! Me! Me!”
“Fine. I’ll give you five more minutes, then no dessert. And for the love of God, don’t gnaw on it like that!”
After a minute, Nathan cleared his throat. 
“The sweet spot, of course, is unique to the individual herself. And it’s too simplistic to view it as some one-time phenomenon. If human beings define any characteristic, it’s tenacity. We will invent new illusions for ourselves at every opportunity. We will retreat into others’ illusions, if we lack the creativity to formulate our own. We will invent new lines in the sand, like the arbitrary marking of a new year and the blank slate it pretends.” 
Their mother put down her fork.  “Heavens. Is this any kind of talk for the new year?"
“Sorry, Mom.”
“Now eat your sauerkraut. It's good luck.”
“Right,” Nathan said, catching his sister's eye, who smiled behind her napkin. “Because luck's just a big ol' helping of metaphysical roughage."
“You're making fun again."

"It's a joke, Mom."

"Well, I don't care to understand it. Why the two of you have to look down on simple things . . . simple people--"

"Jesus . . ."
The sparring devolved into bickering. Nobody noticed the old man catch the little girl’s eye and hold it for a good, long moment.  He took up his fork in his left hand and pinned the side of pork to his plate.  Then, sawing with his right hand, he forced the knife through the meat until a piece broke free. He put down the knife, switched the fork from his left hand to his right and lifted the meat to his mouth, holding it there for a good, long moment. 
He looked at her and nodded. 
She seized her silverware, looking at the individual pieces before her. A spoon clattered to the table. She gripped the fork in her left hand and stabbed the hunk of meat. Then, with her right fist held tight about the handle, she moved her knife bit by painful bit until a chunk of flesh ripped free. She looked up in surprise and found the old man’s eye trained squarely on her. He took the meat in his mouth and began to chew. The girl sat a little straighter in her chair and began to chew, too. 
“Fine, fine,” he murmured to her, beneath the din. 
She and the old man ate in silence, her legs swinging freely beneath the table. And when she smiled at him, a little bit of meat stuck through the gap in her mouth where a new tooth was just coming in.   

   
For my Granddad, whose absence is felt at every family gathering.

Monday, December 19, 2011

Closer

("Traffic" by Jessica Brilli)

Brake lights on a highway. Not her favorite sight. It must be an accident. Or road construction. Either way, it wasn't right. Not when they were so close to home. Not after their day.   
She looked out the passenger window. A blue sedan pulled alongside as her husband tapped the brakes. The driver of the car was looking out. Their eyes collided in the semi-darkness. 
Toby, talking on his bluetooth, didn’t hear the sound she made. 
The years had altered his face, but underneath it, he was the same. Same eyes, same lips, same skeptical look arching into incredulity. Christopher. Toby nudged the car forward. Her hand reached out for a grip, a hold. A gap opened between Christopher’s car and the truck ahead of him. Someone honked a horn.   
She looked at her husband. She looked to the window. The gap was gone and there he was. 
A smile tugged at her face. He was smiling, too; almost against his will, it looked. She smiled more as his expression turned a somber corner. Her eyes said "what the fuck?" He shook his head and inched forward. 
Reluctantly, was it? She noticed the woman nodding off in the passenger seat next to Christopher and the two kids in the back, watching a DVD of Aladdin. Christopher pulled a full car length ahead of her and Toby. She could see his eyes in the driver’s side mirror, watching her. A green glow suffused the car. Then yellow. Then green again. The seatbelt was snug between her breasts. Too tight, really.  
Everything suddenly too tight. And oh God, this was happening. This was all right now.   
It made no sense. It made no sense that they should be here, three hundred miles removed from their Indiana life, in a shitty Columbus traffic jam, eleven years after the fact.  
Did he live here, too, then?  
“Nora said twenty, but I told her that was crazy.”
She didn’t know who her husband was talking to. That seemed significant. She hadn’t been paying attention. How long had she not been paying attention? The flashing brake lights were arrhythmic, dissonant.  
“Not reliable at all, no.”
Her foot pushed a nonexistent pedal. Christopher’s car was two lengths ahead. She couldn't see his eyes. Was he watching for her? He must be. He was. A stuffed animal of some kind had rigor mortis in the back windshield. There was a bumper sticker she couldn't make out on the rear left side. The license plate read Michigan. 
Christopher hated bumper stickers. 
Michigan?  
“Shouldn’t be a problem. Trust me.”
A car from their lane edged in front of Christopher. Toby took advantage. She gripped the arm rest and looked over. He wasn’t looking back. He was speaking to his wife, who had finally stirred. She tried to get a look--a good, gulping look--at the woman’s face, but Toby forged ahead. 
They should talk. They should have talked more. They ought to have talked. It was shudderingly obvious: how afraid she'd been to talk. It was not okay that they hadn’t talked. She had things to say. Surprising things she hadn’t given voice to. Silly, dormant things waking up all over the place. Brake-lights-on-a-freeway things.        
She eased back into her seat. Toby was coasting now. Twenty miles per hour. Twenty-five. The gridlock was breaking up. They’d be gone in a--
The seatbelt pulled her back.   
“Fuck!” 
She craned her neck, but it wasn’t necessary. He was there, next to her. Five feet away, if that.  Christopher. Chris. Her once-upon-a-time guy. His wife leaned across the middle arm rests, saying something to the kids. He looked over at her, sober now. His hands were tight on the steering wheel. 
“Sorry about that, man. We’ve hit a traffic jam here.”  
Toby was talking to Ryan. That was his Ryan voice.  
The cars were stalled. All that momentum had been a tease. She looked at Chris, and he looked at her.  Each second of looking felt long and compressed and awful and aching. His eyes held hers and would not be shaken. Her breath came fast on the windowpane. She wiped away the fog and touched the side of her nose. After a moment, he touched his own.  
It was their sign, their signal, their lighthouse at sea. Rescue me. For the love of God, rescue me from this man, this woman, this never-ending party banter. Take me home again. 
“Yeah? Same here.” 
She knew this was it. The once-in-a-lifetime chance. She didn’t care what cost. She wrote her words in the condensation just as his wife turned and gestured to Chris. The lane was clearing again. His jaw tightened, he nodded slightly, and the car lurched forward.  
She turned to the road, but kept her fingers on the window, guarding the backward thing she'd scrawled. Toby was talking about football now. He reached over and touched her swollen belly as they passed a broken-down truck in the median. The driver’s face was an impression of misery.  
She grasped Toby’s hand in her own and leaned back, the blood coursing through her, the highway lights pulsing faster and faster, the exit signs looming and sucking by. The world around her was dark and mysterious, endlessly dangerous and shockingly normal.   
Chris’s car started to accelerate, and he put more distance between them. This was it, then. In a moment they would be gone. Her eyes swam to the right and she could finally make out, in the roiling darkness, the bumper sticker on Chris’s car.  
If you’re close enough to read this, don’t be.